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Unlike most other fields, there’s no definitive source of knowledge in coffee. There’s no bachelor of coffee, or even a diploma. While short courses abound in the area of barista training or hospitality skills, these are focused on the process of making coffee in its final step, and ensuring legal hygiene standards are met.
18 days. is a series of photographs captured during a recent trip to Japan, comprising images taken in Tokyo, Kyoto, Kobe, Osaka, Naoshima, and Hiroshima.
This June marks 100 years of the beloved negroni, and Sydney’s cocktail houses have kick-started their celebrations with a selection of masterclasses, talks and tastings taking place around the city.
Kelsey Lu is one of the most widely talented, multi-genre artist you’ll ever have the pleasure to watch perform live. Blurring the lines between R&B, indie and classical, it’s hard to label her under a single genre, but if there’s one thing you learn as you watch her set unfold, it’s that her musical identity is in fluidity.
Salt Meats Cheese has given Sydneysiders somewhere new to imbibe, launching their very own rooftop bar in the heart of Circular Quay. Located inside the imposing Gateway building at 1 Macquarie Place, Bar Ombré is the first of its kind – both an extension and a diversion from what we’re used to from the Salt Meats Cheese (SMC) restaurant group.
It is no stretch to say that coffee can be good, but taking the next step and making coffee do good is a whole other thing. While many coffee companies tout their impact on the communities they source beans from or their efforts to give back to the communities they serve, most still run as for-profit enterprises.
Sun Kil Moon, aka Mark Kozelek, is one of the greatest musical storytellers performing today. Through acoustic instrumentation and simple, repetitive arrangements he lays an aural canvas to paint powerful images on.
While Vivid lights up the sails of the Sydney Opera House and turns the interior of the venue into a home for forward-thinking contemporary music, Sarah Rees, curator of Contemporary Art at the Sydney Opera House, and Head of Contemporary Music Ben Marshall felt something was missing.
Sydney winters are no longer a sombre, stay at home affair; the introduction of Vivid Sydney a decade ago has consistently brought Sydneysiders out of their houses and into the city. This year, a colourful gastronomical experience awaits you at the Four Seasons Hotel Sydney to match the bright lights outside.
Nick Murphy has taken a considerable amount of time away from the spotlight since releasing music under the Chet Faker banner. His decision to drop such an established name is ambitious, to say the least. With the release of his third album Run Fast Sleep Naked, he has returned.
Few contemporary developments have been as committed to foregrounding their First Nations history as Barangaroo. From the design of the headland park that evoke pre-colonisation landscapes, to projects such as UTP’s Blak Box which investigated the relationship between language and the earth beneath one’s feet.
The Rubens have quickly grown into one of Australia’s premiere rock bands. The five-piece band from Menangle, NSW have been announced as one of the many huge Australian acts for Splendour in the Grass 2019.
El mar, la mar is a collection of images shot in the city of Cádiz, within the autonomous region of Andalucía, Spain. I sought to exhibit not only my deep connection to the country, but its rich aesthetic beauty and history.
1821 on Sydney’s Pitt Street is a European institution. With “Made in Greece” emblazoned on the glass windows, and a ten feet tall Greek flag painted on the wall, customers know they’re in for a night of extravagance before they even cross the threshold.
When returning to Australia in 2012 after years working in America, Alistair Fogg found a total absence off food trucks. In that moment of absence, the genesis of Nighthawk was born. Constructing a fleet of decked-out cars, Fogg also knew that a bricks-and-mortar option would be required.
Speaking at the announcement of the first artists to exhibit at the 2020 Biennale of Sydney, Artistic Director Brook Andrew highlighted the meaning of the Biennale’s theme, Nirin, meaning edge in his mother’s Wiradjuri language.
